Nổi tiếng trên toàn thế giới với những bộ truyện tranh vô cùng hấpdẫn, lôi cuốn bạn đọc vào từng tập truyện. Nhật Bản trở thành đất nước có nền công nghiệp truyện tranh phát triển nhất thế giới với bộ sưu tập đồ sộ lên tới hàng ngàn bộ truyện với nhiều thể loại khác nhau. Bài viết này Laodongnhatban.com.vn gửi tới bạn Tuyển tập 10 bộ truyện tranh Nhật Bản HAY NHẤT MỌI THỜI ĐẠI.
Tuyển tập 10 bộ truyện tranh hay nhất mọi thời đại
1. Doremon - Bộ truyện tranh của tuổi thơ
Doremon là câu bộ truyện tranh gắn liền với tuổi thơ của rất nhiều bạn trẻ ở rất nhiều quốc gia trong
đó có Việt Nam. Đây là bộ truyện tranh không bao giờ lỗi mốt nên sẽ được liệt kê vào danh sách những bộ truyện tranh hay nhất mọi thời đại của Nhật Bản. Lấy bối cảnh Nhật Bản ở những nam 1970, bộ truyện kể về cuộc sống hàng ngày của nhân vật Nobita cùng gia đình và những người bạn của mình. Nobita là một cậu bé có thành tích học tập " bết bát" và luôn về nhà trong tình trạng khóc toáng lên vì bị bạn bè trêu chọc.
Doremon là bộ truyện tranh gắn liền với tuổi thơ của rất nhiều bạn trẻ
Nobita có một cậu bạn người máy là Doremon, cậu bạn người máy này đến từ tương lai với rất nhiều bảo bối thần kì để giúp Nobita thoát khỏi tình trạng bị người khác bắt nạt và học tập tốt hơn. Tuy nhiên Nobita lại luôn gây rắc rối hoặc đi quá xa khi sử dụng
những bảo bối của Doremon. Với những tình huống hài hước phù hợp với tâm lý trẻ thơ bộ truyện Doremon mang lại những giây phút sảng khoái và những bài học giáo dục nhẹ nhàng cho bạn đọc.
2. Thám tử lừng danh Conan
Bộ truyện tranh Thám tử lừng danh Conan là bộ truyện thuộc thể loại truyện trinh thám. Đây là bộ truyện tranh lâu nhất trong lịch sử chưa có đoạn kết khi mà lần đầu đăng
tải vào ngày 19-1-1994.
Nội dung phim kể về Kudo Shinichi là một thám tử với tài phá án siêu giỏi, trong một lần phá án cậu đã bị tổ chức áo đen cho uống thuốc teo người biến cậu trở thành một cậu bé tiểu học. Khi bị biến đổi cậu đã lấy tên là Conan và sống tại nhà của thám tử Mori Kogoro và tiếp tục giúp ngài Mori phá các vụ án.
Thám tử lừng danh Conan
là bộ truyện tranh trinh thám khiến đọc giả ngóng chờ
Với ngòi bút điêu luyện tác giả Aoyama Gosho khiến fan hâm mộ của bộ truyện tranh ngóng chờ từng tập, với mỗi tập truyện đọc giả đều không thể đoán trước được những tình huống hay thủ phạm cuối cùng của vụ án cho đến khi đọc đến cuối truyện.
3. Bảy viên ngọc rồng - Dragon Ball
Truyện
kể về Son Goku - một cậu bé có đuôi khỉ được tìm thấy bởi một ông lão sống trong rừng, ông coi Son Goku như cháu ruột của mình. Bộ truyện kể về quá trình lớn lên, học võ của cậu bé để có thể tìm ra 7 viên ngọc rồng với mỗi viên ngọc sẽ mang đến một điều ước. Trong suốt bộ truyện Son Goku đã gặp gỡ được nhiều người bạn cùng mình tìm những viên ngọc và chống lại những kẻ hung ác với ý định cướp ngọc rồng với mục đích làm bá chủ thế giới.
Son Goku và những người bạn trong bộ truyện Dragon Ball
Loạt truyện tranh Bảy viên ngọc rồng - Gragon Ball được xuất bản từ năm 1984 đến năm 1995 với 519 chương và sau đó được xuất bản trong 42 tập truyện. Cho đến nay vẫn có rất nhiều người là fan hâm mộ của Son Goku và bộ
truyện Bảy viên ngọc rồng này.
Tóm tắt truyện tranh Bảy viên ngọc rồng
4. Đảo hải tặc - One Piece
Đảo hải tặc là một trong những bộ truyện tranh thu hút rất nhiều đọc giả qua nhiều thời kì
One Piece là bộ truyện tranh đã có 87 tập và chưa có dấu hiệu dừng lại, đây là bộ truyện tranh kéo dài đã 20 năm mà người đọc vẫn chưa nó nhanh có hồi kết. Bộ truyện thu hút đọc giả không chỉ ở Nhật Bản mà còn rất nổi tiếng tại Mỹ và Việt Nam. Đây
là bộ truyện dài với những tranh chấp giữa các bộ tộc kéo dài từ 5000 năm trước.
Tóm tắt nội dung truyện
5. Naruto
NARUTO là một trong những loạt tác phẩm manga nổi tiếng
nhất tại Nhật Bản được ra đời vào tháng 12/2022 năm 1997 bởi tác giả Kishimoto Masashi, ngoài xuất thành văn bản và hình ảnh minh họa, NARUTO đã được dựng thành Anime ngày mùng 3 tháng 12/2022 năm 2002. Nội dung chính của tác phẩm kể về Uzumaki Naruto, một thiếu niên ồn ào, hiếu động, một ninja luôn muốn tìm cách khẳng định mình để được mọi người công nhận, rất muốn trở thành Hokage (Hỏa Ảnh) - người lãnh đạo ninja cả làng, được tất cả mọi người kính trọng.
Naruto hiện nay vẫn là cơn sốt trong cộng đồng yêu Anime
Cuộc hành trình khẳng định mình của NATURO không hề đơn giản mà phải trải qua muôn vàn khó khăn và luôn có những người bạn Uchiha Sasuke và Haruno Sakura đồng hành và đi cùng. Để có thể tìm hiểu và khám phá rõ hơn về cuộc hành trình của NARUTO các bạn hãy xem
phim hoặc đọc truyện nhé
6. Nữ hoàng Ai Cập
Đây là bộ truyện tranh kể về một thiếu nữ tóc vàng người Mỹ, cô là con gái của một gia đình triệu phú rất yêu thích nghiên cứu khảo cổ Ai Cập. Chính vì lí do này gia đình cô đã vướng phải lời nguyền khiến cô phải trở về thời Ai Cập cổ đại. Ở thời này, với những kiến thức cô có được ở thời hiện đại, cô đã trở thành nhân vật quan trọng trong lịch
sử cổ đại. Chính vì sự thông minh, sắc đẹp "nghiêng nước nghiêng thành" đã khiến cô vướng vào những rắc rối, những âm mưu chiếm đoạt cô giữa các vương quốc.
Nữ hoàng Ai Cập với cốt truyện vô cùng li kì, hấp dẫn
Hiện nay, bộ truyện đã được chuyển thể thành nhạc kịch sân khấu nhằm
kỷ niệm 60 năm của bộ truyện tranh này, chứng minh rằng bộ truyện này còn đang rất "HOT".
7. Truyện tranh "Bleach"
Ichigo Kurosaki là người có khả năng nhìn thấy những hồn ma.Cuộc sống của cậu thay đổi khi cậu gặp Rukia Kuchiki, một Thần Chết và là thành viên của Âm Giới. Khi chiến đấu với một yêu quái chuyên đi săn những người có năng lực tâm linh, Rukia đã cho Ichigo
mượn sức mạnh của mình để cậu có thể cứu gia đình mình.
Bộ truyện gây thổn thức nhiều bạn trẻ trong suốt những thời kì qua
Nhưng trước sự ngạc nhiên của Rukia, Ichigo đã hấp thu toàn bộ sức mạnh của cô. Khi đã trở thành một Thần Chết, Ichigo nhanh chóng biết được rằng thế giới cậu đang sống chứa
đầy những linh hồn nguy hiểm, và cùng với Rukia, người đang từ từ khôi phục lại sức mạnh của mình. Công việc của Ichigo lúc này là bảo vệ những người vô tội khỏi lũ yêu quái và giúp đỡ những linh hồn tìm được nơi yên nghỉ...
8. SLAM DUNK
Phát hành trong 6 năm với 31 tập Slam Dunk là bộ truyện tranh học đường dành cho lứa học sinh. Bộ truyện nói về đội bóng rổ của một trường cấp ba mang tên
Shuhoku. Ra mắt độc giả lần đầu tiên trên tạp chí truyện tranh phát hành hàng tuần bộ truyện đã bán được hơn 100 triệu bản trên đất nước mặt trời mọc.
Bộ truyện tranh khá chân thực
9. FAIRY TAIL
Bộ truyện được phát hành kể từ
2-6-2006 cho đến nay và đã phát hành được 57 tập. Bộ truyện thuộc thể loại phưu lưu, kì ảo, hành động rất cuốn người đọc.
Bộ truyện vẫn khiến bạn đọc mong ngóng từng tập
10. DEATH NOTE
Death note là một bộ truyện tranh Nhật
Bản ban
đầu được viết bởi Ohba Tsugumi và do Obata Takeshi minh họa. Bộ manga chủ yếu xoay quanh một học sinh cấp 3 quyết định sẽ loại trừ cái ác ra khỏi thế giới nhờ vào một cuốn sổ thần bí sẽ giết chết bất cứ người nào bị ghi tên trong đó.
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The Bronze Age was a period of transition when comics were bringing in money. During this glorious and underrated period, many classic masters were winding down and many budding new talents were coming in. These covers are in no particular order so don't freak out and think they are somehow ranked. Let me know which ones you love, have never seen before, own, etc.
1984 #8, cover by Jim Laurier. pub. 1979 by Warren. I love the painted look on covers
(as you'll soon find out), and this one has a quiet elegance despite depicting some sort of space battle, it conveys nicely the dynamics of combat with the silence of space's endless vacuum.
Alien Worlds #1, cover by Jim Chiodo. pub. 1982 by Pacific. This is
definitely a nod to the Frazetta covers of yesteryear, and it definitely has a timelessness about it. Had I not already mentioned it came out in '82, it's publication year would probably be anyone's guess.
Aquaman #62, cover by Jim Aparo (thanks to "Oldmancomicfan"). pub. 1978 by DC. This is a very tragic cover, and although Aquaman gets a lot of crap from naysayers, this is cover is rife with pathos, and one cannot help but feel sad
for the Atlantean king who has just lost his son. His body language speaks volumes.
Aztec Ace #3, cover by Dan Day and/or Nestor Redondo?, pub. 1984 by Eclipse. The shadows here are
beautifully done, and the artist(s) harken back to the days of serials and swashbuckling Indiana Jones types. We almost except something to leap out of the sarcophagus or from off screen to attack.
Aztec Ace #5, cover by Dan Day, pub. 1984 by Eclipse This Aztec Ace cover is a surrealist work that reminds one of Salvador Dali in its use of the timepieces. It almost feels as if it could grace the cover of an early Vertigo title.
Batman #232, cover by Neal Adams, pub. 1971 by DC Usually first appearance comics have memorable covers, but aren't always as artistic as they are famous. Here Adams shows us we can have our cake and eat it to, in the first appearance of Ra's Al Ghul. Al Ghul cuts a sinister figure in the background, and Batman's arched body is dynamic as if he has just turned in a split second to see Robin get a belly full of lead.
Battlestar Galactica #4, cover by Walt Simonson, pub. 1979 by Marvel Walt Simonson, renowned for his work on Thor, gives us a cover that at first glance is a run of the mill sci-fi art
piece, but upon closer inspection we see That Simonson's chase sequence is made pretty damn cool by the little things, like the sunlike orbs depicting thrusters and the sharp curves (sounds oxymoronic) of the ships.
Bizarre Adventures #27, cover by Paul Gulacy, pub. 1981 by Marvel Three X-men, Iceman, Phoenix, and Nightcrawler stand as the epitomes of badassery. Iceman is nicely depicted with the small touch of his translucency showing Jean's leg through his thigh. Phoenix has an almost sensual look of "try me" as she stands wielding the phoenix force. Kurt on the other hand has a similar quiet determination. We don't
often see painted X-men covers, and this is proof that that's a damn shame.
Bizarre Adventures #28, cover by Bob Larkin, pub. 1981 by Marvel The very next
issue of Bizarre Adventures made my list because it's a neat way of portraying an old trick. You the comic purchaser sees this, and probably is curious as to what it is they're looking at. Frankly, I don't care, but I just love the silly exaggerated expressions. If any artist depicted my Elektra breaking her killer's composure it would probably look bad, but Larkin does it well.
Captain America #256, cover by Marie Severin, pub. 1981 by Marvel Unfortunately, though I'm a big Cap fan, not too many of his covers between the 60's and Steve Epting's recent work really catch
my eye, but I love Severin's depicting of a frenzied Cap in the doorway of the gothic Greymoor Castle. It reminds me of the many great DC horror covers from this time period.
The Champions #17,
cover by Ernie Chan, pub. 1978 by Marvel This Champions cover makes up in dynamics what it lacks in distinctive style. The sentinels emerging from the greenish fog is just plain cool simple as that, and the impact is heightened by the look of desperation on the Champions' faces.
Conan Annual #1, cover by Barry Windsor-Smith, pub. 1975 by Marvel Barry Windsor-Smith is one of the undisputed and sadly underrated gods of the Bronze Age. He does most things better than anyone else. And while this issue just contains reprints from older Conan's the cover is amazing and makes an otherwise unremarkable comic stand out. The detail here is something ahead of its time, and the lines and contours
on the barbarians body are expertly done.
Contest of Champions #1, cover by John Romita Jr. and
Bob Layton, pub. 1982 by Marvel OK, this is a guilty pleasure. This comic is purely here for sentimental value. This is one of the earliest comics I ever remember owning (years after it was published) and being a little kid and enthralled by all the superheroes on the cover looking up either pissed or shocked left a huge impression on me.
Daredevil #184, cover by Frank Miller and Klaus Janson, pub. 1982 by
Marvel Daredevil does his best Dirty Harry impression on this startling, but minimalist cover. To describe it to someone would bore them, DD holds a gun with a plain yellow background behind, but to see it is to be dazzled by how bold it is in its simplicity. Even the cheesy NO MORE MISTER NICE GUY seems apropos to the badassery here.
Daredevil #193, cover by Klaus Janson, pub. 1983 by Marvel When you're a contemporary of Frank Miller on his DD run, you can't help, but be slightly overshadowed, but here Janson shines on this striking cover that could come straight from an 80's slasher film. It seems ironically enough, that some of DD's coolest covers depict him not behaving like his usual self and holding weapons.
DC 100 Page Super Spectacular #4, cover by Berni Wrightson, pub. 1971 by DC This spotlight issue on Weird Mystery Tales has a gloriously creepy cover done by another Bronze Age master. Magic has clearly
gone awry, and the neon hues of the demon work well with the crushing blackness that frames the comic.
DC Comics Presents #54, cover by Dick Giordano (and Newton), pub. 1983 by DC Bright
flashes of light are juxtaposed with the black background for some nice results here as Ollie and Supes go into action side by side.
DC Comics Presents #85, cover by Rick Veitch, pub. 1985 by DC It's funny, while Alan Moore is arguably (in my opinion undisputed, not arguably) greatest comics writer of all time, not too many covers of his work stand out in my mind with the exception of the iconic Watchmen smiley face. This is a good exception to that rule. Rick Veitch, does a dynamic job showing pretty strikingly what a Superman gone mad
would look like and the sense of desperation for Swamp Thing as he faces this powerhouse.
Marvel Graphic Novel #1 (The Death of Captain Marvel), cover by Jim Starlin, pub.
1982 by Marvel What I love most about this iconic cover, is the sense of separation between Captain Marvel cradled by Death and the rest of the Marvel heroes that almost seem painted behind. Starlin almost seems to know that Captain Marvel plays second fiddle to just about everyone else on the cover so he does a really great job of making him standout in this tragic scene.
Defenders #128, cover by Kevin Nowlan, pub. 1984 by Marvel Normally when I think of a cover with heavily pencilled look, I'm reminded of much of the cringe worthy disposable artwork of the 90's right around the
time crass commercialism set in, but here the effect is absolutely stunning. The expressions are so human it's amazing. Take into consideration that this deep humanity is depicted on the faced of a demonic looking dude, a viking chick, a furry blue monster, and a winged playboy, and that just makes this cover all the more impressive.
Detective Comics #537, cover by Gene Colan and Dick Giordano, pub. 1984 by DC When a heavy hitter like Gene Colan does Batman, you know you're in for a treat, and here's why on a cover like this: Some spooky looking chap is coming out of a sewer no doubt up to no good and his hands jaundiced by the street lights along
with the deep shadows make for a creepy effect, more suspenseful than that is the Bat poised to leap in the background, and you the viewer just tense up and wait for the impact of Batman crashing down on this guy.
Detective Comics #556, cover by Gene Colan and Dick Giordano, pub. 1985 by
DC Colan and Giordano are back with a second entry on the top 100 with this tender soap opera cover that is a beautiful gothic romance cover. The rain is a nice touch, especially with the stark red background.
Dr. Strange (vol. 2) #3, cover by Frank Brunner, pub. 1974 by Marvel Brunner is another name that is/should be synonymous with Bronze Age excellence. This is a really epic cover with elegant shadows playing upon Doc Strange juxtaposed with the bright flashing light of this pitched battle between two supernatural giants. Dr. Strange had a lot of great covers during the 70's and picking just a handful for this
countdown was especially tough.
Dr. Strange (vol. 2) #13, cover by Gene Colan and Tom Palmer, pub. 1976 by Marvel Hooray for more Dr. Strange! Eternity is so well depicted during this time period. I love the face beset in the cosmos
look. The Ancient One in throes of pain in the foreground adds nice balance to the cover and there is something decidedly vintage about the way Colan chose to show the good Doctor leaping to the rescue with his cape billowing behind him.
Dr. Strange (vol. 2) #39, cover by Al Milgrom, pub. 1980 by Marvel Ok, last Dr. Strange cover on this list. I promise. This cover is just plain scary. It could be a Tales from the Crypt cover with this disturbing image of skeletons giving a crash course in vivisection. The light almost blinds you as you look it and you really get a good feeling of the terror this great Milgrom cover tries to evoke.
Dracula Lives #2, cover by Jordin Penlava?, pub. 1973 by Marvel Dracula Lives is another comic with a lot of great covers to choose from, but something spoke to me about this one. It had *cough nothing
to do with the nubile woman on the cover I assure you. Well that's a lie, but the main cool thing is how Dracula is shown materializing out of the shadows and swooping in for the kill.
Dracula Lives #11, cover by Steve Fabian, pub. 1975 by Marvel The color blue dominates this cover, and while normally such a primary color would diffuse a horror scene's power, it works well here, with the lightning illuminating this macabre scene.
Epic Illustrated #12, cover by Frank Brunner, pub. 1974 by Marvel Marvel magazines during the 70's had as you can probably tell my now, some absolutely gorgeous artwork and this lovely aquatic scene from Epic is no exception. Perhaps it's a Birth of Venus for the schlocky 70's?
Fantastic Four #244, cover by John Byrne, pub. 1982 by Marvel 80's FF covers while nice, don't normally do much for me, despite my love for John Byrne. This one on the other hand is just stunning.
The colors are reminiscent of Kirby, but the pencilling is the signature Byrne look that so dominated the landscape of 80's Marvel Comics.
Frankenstein #2, cover by Mike Ploog, pub. 1973 by Marvel This comic was really overshadowed by it's
more popular cousin in the Marvel roster, Tomb of Dracula. This cover is very cool though, and I can't help but just stare at the subtle detail of the castle villa in the background and the sun in the background. Neither of which take away from the tense scene of Frankenstein's Monster clutching his bride.
Giant Size X-men #1, cover by Gil Kane and Dave Cockrum, pub. 1975 by Marvel You had to see this one coming, you just had to. The imagery of the then new X-men (and frankly the finest roster of X-men they've ever had), bursting through the old team does not loose any of its impact decades later. No one has worked such
wonders in drawing the X-men since, and that's saying a lot considering the A-list of names that have worked with the team, Adams, Steranko, Lee, Byrne, etc.
Green
Lantern #87, cover by Neal Adams, pub. 1972 by DC The first appearance of John Stewart is done beautifully by the master Neal Adams. You take one look at the enraged Stewart clutching Hal Jordan and you feel very compelled to pick this up and read it.
Haunt of Horror #1, cover by Bob Larkin, pub. 1974 by Marvel Werewolf howls and is ready to savage a beautiful woman in some remote mountains. So what? So what, you ask? Who else but Larkin would put such photorealistic detail into the ominous skull in the foreground.
Haunt of Horror #3, Don't know who did the cover. pub. 1973 by Marvel It's a testament to either Marvel magazines' quality or my really lowbrow tastes for their significant presence on this top 100.
This is pretty standard fare for a painted horror cover, but hey I like it. Deal.
House of Mystery #219, cover by Luis Dominguez, pub. 1971 by DC Maybe this should
have been called the Top 100 Horror Covers of the Bronze Age. The best aspect of this finely drawn cover is the sense of dread the artist creates. Despite the fact that this type of plot has been seen many times in horror media since and before, it still holds up pretty well today.
House of Mystery #235, cover by Tatjana Wood, pub. 1973 by DC This is almost out of a Twilight Zone episode. Woman running through a creepily deserted gothic village while being chased by giant birds? Wood does amazing work here.
House of Mystery #255, cover by Berni Wrightson, pub. 1977 by DC Perhaps one of the tougher things to do convincing is to combine gothic horror with science fiction , a la Swamp Thing. Here
Wrightson does a great job, especially with the juxtaposition of the flying saucer and the house of mystery itself in the background.
House of Secrets #90, cover by Neal Adams, pub. 1971 by DC This is one of my absolute favorite Neal Adams covers. The walkway and castle aloft in space while the women runs into the waiting arms of the monster are all just executed so well. This cover has an excellent sense of depth and the lines are deftly drawn.
Howard the Duck Magazine #7, cover by John Pound, pub. 1980 by Marvel Not a hoax! Not an imaginary tale! I actually included a humorous Howard the Duck cover on this list. It's silly, true, and the characters are almost done in a demented Disney fashion, but John Pound is such an amazing painter, that he
truly brings this scene to life and makes it stand out.
Incredible Hulk #181, cover by Herb Trimpe, pub. 1974 by Marvel Here's a comic whose reputation precedes it. Yes, this
is the first appearance of Wolverine as you are no doubt well aware, but there's more to this comic than that. Herb Trimpe is my favorite Hulk artist, and the way he shows wolverine shattering chains against a blood red sky is just dazzling.
Iron Fist #15, cover by Dave Cockrum, pub. 1977 by Marvel Who better to draw an issue of Iron Fist featuring the X-men than Dave Cockrum? The use of light on this cover is masterfully done and you get such a sense of impact from the way Dave draws Iron Fist lashing out at Colossus.
Iron Man #131, cover by Bob Layton, pub. 1980 by Marvel The only Iron Man cover to grace this list isn't one fans of ol' Shellhead will probably like. Iron Man moments before the Hulk presumably lands a
punishing blow on him. What makes this cover so special is the shadows on Iron Man, and how Layton (an amazing Iron Man artist), goes against convention and makes the Hulk the center of attention on the cover without detracting from Tony's importance.
Adventures of Kool-Aid Man #1, Don't know who's the cover artist. Pub. 1983 by
Marvel While this is in fact a real cover, it's placement on this list is merely for humor purposes, so without further ado, OH YEAAAAAAAH!
Kull #1, cover by Ross Andru, Sal Buscema, and Marie Severin, pub. 1971 by Marvel Kull is sadly often seen as a mere Conan knock-off, but to be fair he is fairly different. If anything from casual observance of the
cover, maybe He-Man is a Kull knock-off. I like this cover because of Kull's dynamic stance and the classic fantasy elements of a fallen enemy and a scantily clad woman adding to the majesty.
Kull #11,
cover by Mike Ploog, pub. 1974 by Marvel Here is a truly amazing fantasy cover. Kull is drawn marvelously by Ploog and the fire swordsman is a really imposing presence on this cover. There's even a skull thrown in for good measure.
Machine Man (mini series) #1, cover by Barry Windsor-Smith, pub. 1984 by Marvel The intricacy of this cover is just awe-inspiring, I definitely recommend checking out the art of this mini series, because it's just gorgeous. The cool twist is, as the series goes on, the covers gradually depict Machine Man being constructed.
Marvel Feature #11, cover by Jim Starlin, pub. 1973 by Marvel The Thing vs. the Hulk is a classic Marvel match-up and their encounters usually make for impressive covers. This early work from
Starlin nicely exemplifies this, and Jim is quite adept at showing the sheer force of these two titans' collision.
Marvel Preview #10, cover by Ken Barr, pub. 1977 by Marvel Again, I'm a sucker for painted
covers, and to see Thor depicted as a classic fantasy hero is just drool-worthy. It was a toss up between this and the last issue of the first What If? series, but this one is just slightly better in my eyes.
Moon Knight #25, cover by Bill Sienkiewicz, pub. 1982 by Marvel Bill is my favorite comic book artist of all time, so I could pretty much kick back and type a few pages as to why I like a cover like this. I'll save you the pain of that, and let you just gaze at this a while.
New Gods #1, cover by Jack Kirby, pub. 1971 by DC Kirby fans, don't sweat it, if you think he's been sorely lacking from this list. The upcoming sequel Top 100 of the Silver Age is so Kirby-filled that you'll get sick of him (as
if that were possible). This cover deserves classic status because of the stark contrast between the black and white cosmos and the multi-colored Orion zipping through space with his Astro Harness.
New Mutants #18, cover by Bill Sienkiewicz, pub. 1984 by Marvel Another challenge in compiling this list was to keep it from becoming a Sienkiewicz fanboy's ravings. In order to prevent that I've made sure only to give a sampling of his creme de la creme. If you like what you see, I urge you to explore him further.
Spectacular Spider-man #51, cover by Frank Miller and John Rubinstein, pub. 1981 by Marvel When you think Frank Miller, Spider-man isn't one of the first things that comes to mind, but his work on
Spectacular Spider-man is really impressive. We're dealing with Mysterio, so I sincerely doubt that's actually space, though I haven't read this. I really get a kick out of how Miller uses light when drawing Spider-man as if here were framed by an unseen yellow orb.
Spectacular Spider-man #60, cover by Frank Miller, pub. 1981 by Marvel Again, Miller uses light when drawing Spider-man, which is funny because he's so often associated with darkness and shadows. And while, shadows do play an important role in his depictions of Spidey, it's all about the glare here.
Planet of the Apes #11, cover by Gray Morrow, pub. 1975 by Marvel This is a striking cover. A human lying dead with a bullet in his brain, and a bloodlusted gorilla general proudly bellowing
at a stormy sky. This series had numerous great covers and this was another case of having to cull some of the best.
Planet of the Apes #19, cover by Bob Larkin?, pub. 1976 by Marvel This is a
really trippy Planet of the Apes cover that stands out from their other more straight forward combat or action oriented covers. I have no idea what's happening or what a psychedrome is, but frankly, I'm intrigued.
Planet of the Apes #21, cover by Earl Norem, pub. 1976 by Marvel Earl Norem really captures a sense of savagery with this cover. If you've seen the film Conquest of the Planet of the Apes, you know the revolt this depicts. Norem's painting here is at its peak dynamism.
Rampaging Hulk #1, cover by Ken Barr, pub. 1977 by Marvel Rampaging Hulk had some truly great covers and the first issue looks like a b-movie from the 50's. The look on the soldier on the left's face
is such a great touch.
Rampaging Hulk #3, cover by Earl Norem, pub. 1977 by Marvel We all know Magneto, but how many of you remember the Metal Master, who made his debut in Incredible Hulk #6? Thought so. What I love about
this cover, besides the crazy sci-fi vibe from the Metal Master (who I don't remember ever looking so much like Ultron), is the attention to detail on the straining muscles of the Hulk, you can feel the tension in the brute's body.
Rampaging Hulk #6, cover by Ken Barr, pub. 1977 by Marvel I already spoke about the aesthetics of Hulk vs. Thing, but how about the less famous Sub-Mariner/ Hulk match-ups. While it's fun to watch two brute beasts beat each other senseless, it's even more fun to watch Namor fight the jolly green giant. The reason being that Namor's athletic physique is dwarfed by hefty Marvel guys like Hulk and Thing, yet his
strength is more than a match for them.
Red Sonja #1, cover by Frank Thorne, pub. 1977 by Marvel Ah, Red Sonja, someone go make a respect thread for her, and keep it wholesome! This cover is just a veritable mess of fantasy stuff. An angry
sorcerer, an insect creature, a basilisk thingy, an ugly troll monster, and a feral unicorn, to all this chaos, what does Red have to say? To the Death!
Ronin #6, cover by Frank Miller, pub. 1984 by DC This is a very minimalist cover that is an amazing work or art, that
should/could hang in a museum. A brief history lesson to explain this cover. The gent kneeling is about to commit seppuku. We in the west call it harakiri, but that's a term considered a bit too vulgar. The samurai kneeling will kill himself by cutting his stomach, at the climax of the act, eh man behind him, usually the samurai's closest friend or friend who's the best swordsman will cut and "almost" behead him by leaving only a small bit of flesh connecting the head to the torso. The whole
ritual is very grisly, but I felt I should give a description of it. Disclaimer, I haven't gotten around to reading Ronin yet, so if what I've described isn't in the book feel free to correct me.
Swamp Thing #34, pub. 1985 by DC I
absolutely adore this cover. I the issue for a couple of bucks and feel like it ought to be framed. It's so peaceful and beautiful that for some reason I can't help but sigh at the sheer spectacle of it all.
Savage Tales #1, cover by John Buscema, pub. 1971 by Marvel This is violent by our standards so I can only imagine the impact back in '71 when this was at the newsstand. It's all about the violence, from the bloody sword to the sensational titles. The rough painting style is very appropriate for the tone.
Savage Tales #7, cover by Boris Vallejo, pub. 1974 by Marvel This ain't the X-men's Ka-Zar! You can almost see the testosterone oozing off the cover of this one. The rippling muscles, the hot jungle girl, the
spilt blood! I suppose this along with most of its kind is a guilty pleasure, but I am unapologetic.
Secret Wars #1, cover by Mike Zeck, pub. 1984 by Marvel Marvel's first epic crossover, is pretty much the
only one they executed perfectly sadly. This cover bursts with action as the company's then heaviest hitters seem to leap off the page. This one made the list on its iconic status alone.
Silver Surfer: The Ultimate Cosmic Experience, cover by Earl Norem, pub. 1978 by Marvel via Simon & Schuster This is historically one of the first ever true graphic novels. Marvel wanted to experiment with the blockbuster book format and for it Lee and Kirby teamed up on a book that is graced with a
stunning Norem painting.
Amazing Spider-man #122, cover by John Romita Sr., pub. 1973 by Marvel Even with the mask on, you know exactly what Peter's face looks like. Clenched with rage and with tears streaming down his face. And while in part it's
because the word balloon fills you in on why he's pissed, it's also because Romita the elder is so comfortable with drawing Spidey that he can depict emotion through the mask.
Amazing Spider-man #136, cover by John Romita Sr., pub. 1974 by Marvel When
the Osborns first entered Spidey's life pre-90's storylines and Dark Reign, their feud with Peter was extremely compelling especially Peter's love/hate relationship with Harry. This cover so eloquently captures that feeling.
Amazing Spider-man #151, cover by John Romita Sr., pub. 1975 by Marvel Again Romita does emotion through the mask, and it makes for a very angry and very determined looking Spider-man. Nobody draws Spidey out for Blood like
JRSR.
Spider-Woman #32, cover by Frank Miller, pub. 1980 by Marvel This is such a weird weird comic cover. You have an angular Spider-Woman fighting Werewolf by Night with classic Universal monsters in the
background look on from their posters. The combination of photo and drawn art rarely works out well, but Frank Miller pulls it off.
Star Wars #44, pub. 1981 by Marvel This cover is all about the leading
lines. The viewer's eyes are drawn right to the crossed lightsabers and the effect is almost blinding. The shadows cast on the dueling figures is especially noteworthy.
Star Wars #92, cover
by Cynthia Martin and Bill Sienkiewicz, pub. 1985 by Marvel This is abstract cover has a signature Sienkiewicz flair, but gives a certain storybook feeling to the clash between Luke and Vader. The effect is pure elegance.
Marvel Super Special #5, cover by Bob Larkin, pub. 1978 by Marvel How could I pass this baby up? A menacing figure clutches the hottest band in the land, while Gene Simmons seems hellbent on scaring this guy off with outstretched arm and tongue. In all serious though, Larkin does a great job balancing fun and fantasy for the group that was both rockers and superheroes.
Marvel Super Special #27, cover by Bill Sienkiewicz, pub. 1983 by Marvel It wasn't until I started compiling this list that I realized, wow, Bill certainly does some fine Star Wars work!
Superman #254, pub. 1972 by DC This is such a bizarre scene that one can't help but become insanely curious as to what the contents of this comic are. I know I am. The light and shadows on Superman is classic
Bronze Age, the period, in my humble opinion when Superman was depicted best. It's actually quite a tender moment despite the intimidating lightning bolts and I adore the way the artist shows the difference between the frail child and the Man of Steel.
Superman #317, cover by Neal Adams, pub. 1977 by DC You don't mess with Superman, especially when Neal Adams draws him. Why oh why can't Neal Adams just draw the entire DC universe forever?
Swamp Thing #1, cover by Berni Wrightson, pub. 1972 by DC Just look at the detail Wrightson puts in to Swamp Thing's emergence from the mire, the lines are bold and the inking perfectly accentuates the action.
Tales of the Zombie #1, cover by Boris Vallejo, pub. 1973 by Marvel This cover is typical Vallejo horror. Absolutely perfect.
Danh sách kết thúc trong Phần 2 của 100 bìa Top của Thời đại đồ đồng!(Tôi sẽ hoàn thành nó ở đây, nhưng có giới hạn cho những hình ảnh bạn có thể tải lên cùng một lúc)
6 bình luận
Truyện tranh thời đại đồ đồng nào đáng đồng tiền?
Top 200 truyện tranh có giá trị nhất..
1) Hulk đáng kinh ngạc #181, Wolverine 1.....
2) Marvel Spotlight #5, Rider Ghost đầu tiên.....
3) Green Lantern #76, Neal Adams khởi chạy lại.....
4) Người sói vào ban đêm #32, Hiệp sĩ Mặt trăng 1.....
5) Biến thể giá của Star Wars #1 35C.....
6) Luke Cage Hero cho thuê #1 ..
Truyện tranh thời đại đồ đồng có tăng giá trị không?
Truyện tranh thời đại bạc và đồng từ thời đại bạc và đồng của truyện tranh liên tục tăng giá trị.Điều này chủ yếu là do rất nhiều truyện tranh đã không tồn tại do chiến thuật bảo tồn kém.continuously increase in value. This is mainly because a lot of those comics didn't survive due to poor preservation tactics.
Truyện tranh Marvel nào là trong thời đại đồ đồng?
Được quản lý bởi Roy Thomas, Marvel: The Bronze Age 1970 Từ1980 bao gồm những câu chuyện mang tính bước ngoặt của Người nhện, Người sắt và Eternals, hoàn thành với một bản fax dài 64 trang của X-Men #1.Spider-Man, Iron Man and The Eternals, complete with a 64-page facsimile of Giant-Size X-Men #1.
Thời đại tốt nhất của truyện tranh là gì?
Thời đại hoàng kim của truyện tranh kéo dài từ năm 1938 đến năm 1956. Trong thời gian này, truyện tranh ngày càng trở nên phổ biến trong giới trẻ Mỹ, và điều đó vẫn đúng cho đến ngày nay.Rốt cuộc, truyện tranh, bên cạnh nhạc jazz, là một trong những sản phẩm gốc hiếm hoi của văn hóa Mỹ.1938 until 1956.
During this time, comic books became increasingly popular among American youth, and that remains true to this day. After all, comic books, alongside jazz music, are one of the rare original products of the American culture.
